As it happens on Sunday afternoons, I am lazy and drowsy. But, well, I have a deadline and I have to finish something; so I try to keep myself awake and work. The going gets difficult at times though, and I have to take short breaks once in a while to get my concentration back. A little pacing inside the room, a little absent-minded gaze on the walls, a cursory look at the pile of books by my side, a quick snacking of fruits (oranges today) – one of these methods eventually gets me rejuvenated and I get back to my work. The concentration, on an average, stays between half an hour and one hour. After that, of course, it’s time for the next break. Indeed, how much lazier can one get!
So, I was practicing the absent-minded-gaze this afternoon, when my eyes fell on the multiple unread books lying in small heaps all around. I should mention here that I have a habit of tossing up books all around the room and it takes about a week to turn neatly stacked books into a mess that I lovingly create. It’s not easy to understand why I do it, but I would love to call it ‘carefully careless reading’ if that can help me do away with being messy.
Well, for those who’ve known me, nothing new in all these, of course. What is new about today, however, is that I happened to be quite amused this afternoon by looking at the way these piles of books were lying. So, on one side of my pillow lay books of
Murakami’s short stories with
Nalini Jonses’, both half read, with pages open, spine up, flat upon their bellies. On the other side lay unread books by three writers, as disparate as they can be –
Alice Munro’s short stories and
Thomas Mann’s grave-looking novel sandwiching the newbie writer
Siddhartha Deb (poor Deb, who knew he would ever come between such heavyweights). The other bed on which I sit and work, I find that the scene is a little more crowded. Here,
Vikram Seth’s slim travelogue is sitting atop
Marquez,
Guenter Grass, and
Vikram Chandra (which, incidentally, is a giant book, enough to serve as a mini pillow). Beside this stack is another one where
Kamila Shamsie’s feisty (bright and colorful cover) novel is jostling for space with
Dario Fo’s memoir,
Rana Dasgupta’s modern-day fables of stranded passengers on their way to Tokyo, and some other authors who I’m suddenly too lazy to write down now. But, of course, I cannot get away without mentioning the
Qurratulain Haider’s novel, which sits alone, a little farther from the hustle and bustle, as if it decided to do so on its own will. Probably, some books do have their own personality, after all.
Hmm, enough of running wild, I guess. The work beckons me again.
PS: Barring a couple of them, all these books are waiting to be picked up some day. Sigh!